2017年6月13日(火)
A crowd gathered to watch the projection
Are new people going to come in and want different types of things in Chinatown and are willing to pay higher rents? That's an issue that we're watching and concerned about," Gee said. In Boston, Angie Liou, executive director of Asian Community Development Corporation (ACDC), says Chinatown is being hemmed in from all directions by market-rate developments. "This is a capitalist country. So when the real estate market is hot, it goes quickly in the matter of a few years," she said." The developments drive up property values. "Some people might think, 'That's a bad thing?' What you have to know about Chinatown is that the vast majority of long-term residents are renters," she said. "
Home ownership is very, very low here, so when you're talking about renters and property values going up, that's to their detriment." While ACDC can build affordable housing units, those projects take a long time. A view of Boston's Chinatown in 2013. A 2016 found that the median rent in Asian American Pacific Islander (AAPI) neighborhoods increased by 74 percent from 2000 to 2014, compared to the national Edison Bulb median rent increase of 53 percent. The report was jointly produced by the National Coalition for Asian Pacific American Community Development and the Council for Native Hawaiian Advancement.
Giles Li is executive director of Boston Chinatown Neighborhood Center (BCNC), which is charged with opening an arts center in a new mixed-use development. This community space will offer programming for residents, old and the new. "There's nothing I can do to slow macroeconomic forces, but maybe if we can get the new residents of Chinatown engaged in this community as residents and as members of this community, maybe that will mitigate the negative impact of gentrification," he said. Peter Kwong, the Hunter College professor, believes it may be too late for many Chinatowns. Most Chinatowns are no longer truly vibrant immigrant communities where people work, live, shop, and socialize, he said. "By and large, the people have scattered and working-class Chinese tend not to concentrate in areas like these because there's very few jobs." New York City's Chinatown is the one exception because of a large base of jobs, he said.
"We are basically the very last stand," he said of anti-gentrification efforts in New York's Chinatown. A view of New York's Chinatown in 2015. Kwong criticized mixed-income developments as contributing to gentrification. "Even though they may add units, they're still introducing affluent people into a low-income neighborhood," he said. He also questioned the value of arts and culture efforts. "After you see a show, what do you do? What do you do about these people driven out? ... You're an artist? These are the things you do? Okay. But don't tell me you are doing something significant in terms of social impact," he said. Liou thinks interactive arts and culture events such as ACDC's popular outdoor film screenings give residents the opportunity to talk to each other. "I don't think they necessarily understand that there may have been other residents who have been displaced from where they were living, which is not a comfortable conversation, I realize," she said. "I think that's the first step toward some sort of understanding and empathy." But Kwong argues that the best way to halt displacement is through rezoning and laws that protect tenants. For the past eight years, the Chinatown Working Group, a coalition of more than 50 organizations and residents, has worked on a rezoning plan that would restrict height limits, create anti-harassment laws targeted at landlords, generate affordable housing, and protect small businesses in Chinatown and the Lower East Side. The Department of City Planning has rejected the plan, but advocates are not giving up. They continue to hold demonstrations on a regular basis outside City Hall to call attention to the issue. An evening projection from the Chinatown Art Brigade, in partnership with , at the corner of Grand and Chrystie Streets in Chinatown, New York City, in 2016.
A crowd gathered to watch the projection, including local tenants, residents and passers-by. One night in September, the Chinatown Art Brigade, a collective of artists and activists, projected a series of large-scale, multilingual messages onto buildings. The messages were written by residents. "Who did you replace when you opened your gallery? Your bar? When you built your condo??," one of the projections read. is journalist covering arts and culture, communities of color, immigration, and criminal justice. Follow her
Home ownership is very, very low here, so when you're talking about renters and property values going up, that's to their detriment." While ACDC can build affordable housing units, those projects take a long time. A view of Boston's Chinatown in 2013. A 2016 found that the median rent in Asian American Pacific Islander (AAPI) neighborhoods increased by 74 percent from 2000 to 2014, compared to the national Edison Bulb median rent increase of 53 percent. The report was jointly produced by the National Coalition for Asian Pacific American Community Development and the Council for Native Hawaiian Advancement.
Giles Li is executive director of Boston Chinatown Neighborhood Center (BCNC), which is charged with opening an arts center in a new mixed-use development. This community space will offer programming for residents, old and the new. "There's nothing I can do to slow macroeconomic forces, but maybe if we can get the new residents of Chinatown engaged in this community as residents and as members of this community, maybe that will mitigate the negative impact of gentrification," he said. Peter Kwong, the Hunter College professor, believes it may be too late for many Chinatowns. Most Chinatowns are no longer truly vibrant immigrant communities where people work, live, shop, and socialize, he said. "By and large, the people have scattered and working-class Chinese tend not to concentrate in areas like these because there's very few jobs." New York City's Chinatown is the one exception because of a large base of jobs, he said.
"We are basically the very last stand," he said of anti-gentrification efforts in New York's Chinatown. A view of New York's Chinatown in 2015. Kwong criticized mixed-income developments as contributing to gentrification. "Even though they may add units, they're still introducing affluent people into a low-income neighborhood," he said. He also questioned the value of arts and culture efforts. "After you see a show, what do you do? What do you do about these people driven out? ... You're an artist? These are the things you do? Okay. But don't tell me you are doing something significant in terms of social impact," he said. Liou thinks interactive arts and culture events such as ACDC's popular outdoor film screenings give residents the opportunity to talk to each other. "I don't think they necessarily understand that there may have been other residents who have been displaced from where they were living, which is not a comfortable conversation, I realize," she said. "I think that's the first step toward some sort of understanding and empathy." But Kwong argues that the best way to halt displacement is through rezoning and laws that protect tenants. For the past eight years, the Chinatown Working Group, a coalition of more than 50 organizations and residents, has worked on a rezoning plan that would restrict height limits, create anti-harassment laws targeted at landlords, generate affordable housing, and protect small businesses in Chinatown and the Lower East Side. The Department of City Planning has rejected the plan, but advocates are not giving up. They continue to hold demonstrations on a regular basis outside City Hall to call attention to the issue. An evening projection from the Chinatown Art Brigade, in partnership with , at the corner of Grand and Chrystie Streets in Chinatown, New York City, in 2016.
A crowd gathered to watch the projection, including local tenants, residents and passers-by. One night in September, the Chinatown Art Brigade, a collective of artists and activists, projected a series of large-scale, multilingual messages onto buildings. The messages were written by residents. "Who did you replace when you opened your gallery? Your bar? When you built your condo??," one of the projections read. is journalist covering arts and culture, communities of color, immigration, and criminal justice. Follow her
コメント(0件) | コメント欄はユーザー登録者のみに公開されます |