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But as we’re getting more and more loyal audiences, we’re getting the kind of crowd that comes to watch comedy to have a laugh. “The reaction so far has been pretty polarised.Neeti Palta, comic and screenwriter, believes that audiences are far more accepting of female comics now than they were earlier.The judges’ panel of Queens of Comedy.Eight stand-up comics take the stage in front of a three-member judge panel, that includes the likes of actress Richa Chadha, and comedians Rohan Joshi and Kaneez Surka. I will have to die and be born again three times before a widespread acceptance of female comics arrives. If you work by that average, the 14 male comic special isn’t reason for a hue and cry. We’ve got a sizeable amount of people going ‘Women aren’t funny, I’d rather watch The Kapil Sharma Show’. But a lot of smart people know and are convinced that women are funny. And that is a refreshing change for comediennes, who have been on the circuit for a while now. I think the balance will happen in a few years. Neeti reasons, “See, if there are a 100 male comics, there are only four female ones.— With inputs from Pratyush Patra. The only difference between this show and any other on television is that the eight-member funny troupe consists only of women.We get female comics to weigh in on a new ladies-only stand-up show and how the scene is changing for them.”Dwijal pragmatically says that the response to the show so far has been rather mixed, especially because most audience members won’t let go of stereotypes.TLC’s new weekend show, Queens of Comedy is consciously looking to give women in comedy a push, in what has been a male dominated space.”Only earlier this year, a controversy erupted around Amazon Prime’s specials. “You’re not running a special category — it’s not a test of physical strength.
And it didn’t take this show to tell them that,” Dwijal winks. But there’s also been a good amount of them who have liked either the show or the individuals. All of the 14 comics signed up were men, and not until Netflix’s special with Aditi Mittal turned up that there was a female comic special in India too. But that doesn’t count out the women of the scene too,” says Supriya Joshi of AIB, who has written sketches like A Woman’s Besties. It’s an extremely long way to go.”The names on the show are quite a mixed bag, with some like Aayushi Jagad and Urooj Ashfaq having been part of the YouTube sketch scene for a while, and open mic enthusiasts like Dwijal Mehta from Mumbai. Somewhere, the mentality was that if she’s so open on stage, she’s open to other stuff in life too. “There are so many stereotypes that need to be busted around the idea that women aren’t funny. The gender lines are blurring,” she smiles. “The gender ratio may be skewed, but there’s a lot more women who are taking the stage now. It took audiences time to accept you onstage, and there were different parameters of judgement. A lot of comedians now know that women are funny and can do a great job.Contestant Dwijal Mehta“It just so happens that some of the biggest professional comics in India happen to be male. So, why are we doing a separate thing? However, if it helps more women come out and do this, and gives them a more encouraging platform, then why not? When I see the show, I see such good talent coming up and I wonder to myself ‘Where were these women?’ And that’s awesome. “It was nice of the makers to do this kind of show, but it was also necessary,” she asserts. Hopefully we can get a new classic comedian out of this show that has opened up opportunities so far.”Neeti adds that while Hanging vacuum bag she isn’t a fan of the female-only format, anything that helps, works. There are jokes about living with parents, curfews, hunger strikes, and everything that the modern Indian audience would find funny.”Neeti Palta Adds Supriya, “If the jokes are funny, the audience will see it. And yes, they could have reached out to us, but I’d rather be chosen on merit than quota. They reacted differently to a female using cuss words or doing edgy comedy, versus a male. That’s all that matters. Joke telling is not independent to the person’s gender. “I have — and I’m sure so have other comediennes — felt the difference in the way they reacted to a male comic versus me. Truth be told, there are only two or three of us female comics who have one-hour special content. But surely, our lived experiences add that relatibility to whoever is watching it.

A simple but elegant table decor adds depth to the space and makes it look far more interesting.Serving Trays: Intricately crafted trays add volumes of style to a dining table. Add some scented candles or Diwali diyas and this tray becomes a gorgeous centrepiece for your host’s table. Plus, it’s perfect for all the yummy food, drinks and deserts that will be served during the festive season.Key holders: Compact, neat, and functional, these will make any party host happy. A well-designed key holder not only helps your host keep their keys in the right place but also lends a dainty touch of décor and organisation to the room.— The writer is design manager at Urban Ladder. As there was no extra space available nearby, owing to the densely built houses and we had no options to even set up windows to allow the entry of light and air. Many people advised me to sell it off and go for another plot but once I got this plan after a wait of about two years, we went about constructing it and finished in six months,” he says. bought a China Hanging vacuum bags piece of land on 1. So, the only option in front of me was to reconstruct the house.25 cent land, making it hard to get enough air and light. A kitchen, toilet and study space are there in the floor. A wooden staircase connects to the first floor which has two bedrooms and a pooja room. He then went on to reconstruct it with an architect friend to a dream house.

“The ambience inside that house was not good. But I could not find a perfect plan for a new house in such a small plot,” says Saiju who works with a private firm in Thiruvananthapuram. It was then I zeroed in on this plot with a house around 10 years ago,” says Saiju, about how he built his house named Jahnvi in Thiruvananthapuram.. Saiju and family A small house on just 1. It surely was a challenge for Saiju V.The three-storey building has pergola on the top to allow enough light inside the house.Saiju V.“A total of `27 lakh was spent for the construction and another nine lakh for the interiors,” says Saiju who lives there along with his wife and daughter. Almost 100 houses are there in our area and majority of the houses are single-storied ones. to replace it with the house of his dreams. “Our property is situated at Kalpaka Nagar. A guest room is arranged on the second floor, where a wash space is on one side.It was then he came across a design by his architect-friend. “I was living at a house near Chackai and had to vacate it, when the land was acquired to widen airport land. On the ground floor, there is a car porch and sit out which leads to a drawing room.25 cents, and a house on it.

But regrettably, instead of bringing arts closer to its audiences, most art writers end up juxtaposing gobbledygook to the level of unravelable nonsense. It is a rather sad comment on our sense of history when art writing is not taken seriously or preserved and shared with its present creators and audiences. In a situation when audiences need to be quietly nudged to understand the nuances of artistic merit, if a knowledgeable writer uses his scholarship to make it more obtuse, it is sad moment.com. After all retreat is the better part of valour sometimes! Many critics have also withdrawn from the battle to stay alive to fight the war!Dr Alka Raghuvanshi is an art writer, curator and artist and can be contacted on alkaraghuvanshi@yahoo.

But I think one of the greatest intellectual sins is to use knowledge to mislead audiences.Most arts are perceived to be in the realm of the rarefied stratosphere of the unfathomable. Having been privy to situations where artistes and artists thanks to their high profile proximity to newspaper owners and editors (who too have their favourites) bitterly complained to ensure that critics were unceremoniously dumped overnight, one can’t completely blame critics is they don’t want to stick their neck out. I know many readers who may not attend or be able to attend concerts, recitals and exhibitions, but will read what is written about it. I refer to fearlessness that comes naturally with conviction and honesty.

It is almost as if their emotional connect needs a rationale of the intellectual kind.It is my conviction that for any art to hold its own, it is crucial to have its sahitya or textual content. Cube vacuum storage bag It is my conviction that for any art to hold its own, it is crucial to have its sahitya or textual content. This needs to be explored in its innumerable dimensions and its impact over time. It is no surprise then that a lot of so-called critiques end up further alienating the audience. This complete lack of space in the print media for serious art writing, including criticism, has resulted in a weird situation. There is creation of art but there is no contextualisation or serious criticism that can position the art in the global space and connect. If there is space, there will be writers and vice-versa. It is their way of remaining in touch with the arts or perhaps use it as cocktail conversation. I wonder if it is merely a case of fast-depleting space in the various media that hankers for ‘events’ rather than any serious assessment of an artist or artiste’s aesthetic journey Admittedly there will be likes and dislikes — going by the aphorism that if there is a view, there will be viewpoint.

What would classical music be without its bandishs or compositions and the various treatises written about it What would dance be without its sahitya In the same way, what would contemporary art be without its criticism I feel one of the reasons that Indian art has not been able to establish its credentials — economic and artistic —in the global arena is its lamentable lack of worthy criticism. Many feel the need for ‘decoding’ the arts. But many a times plain merit goes unassessed when not spotlit! But having said that, the flip side is also true: The newspaper higher ups also need to back honesty. The idea should be to trace this journey to explore and understand the role of the artists, the galleries, museums and critics. Over the years, fearlessness that should be the hallmark of a critic, is no longer a trait that is admired