2018322(木)

SUSTAINABILITY AS STYLE

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Tired of high street fashion which usually results in everyone wearing more or less the same outfits? Or perhaps you are more environmentallyinclined and ready to steer clear of fast, disposable fashion. If so, then it’s time for you to hop on the ‘slow clothing’ bandwagon. Ethics, sustainability and artisanship are some of the tenets of the slow clothing philosophy, and — at a sale which will be hosted this week in the city — Indian brands and designers will show how they are imbibing these rules while making stylish and chic apparel. Here are a few of the labels to check out at ‘Slow Clothing: A Curated Edit of Sustainable Fashion’ pop-up sale.

House of wandering silk

Started in 2011, this Delhibased label that uses upcycled, organic and handmade materials to create shrugs, kaftans, scarves, and even home décor items such as Kutch wool rugs. Apart from India, they work with women artisans in countries such as Afghanistan, Pakistan, Uzbekistan, Cambodia, Thailand and Laos.

Soham Dave

From hand-spinning natural fibres to manually printing designs using wooden blocks to tagging finished products by hand — Soham Dave’s band of talented artisans manages to completely eschew the use of electricity while creating eco-friendly, sustainable clothing. The designer recently opened his first store in the city at Kala Ghoda.

Maku

The brainchild of Santanu Das and Chirag Gandhi is a product of the ‘slow fibre movement’; that is, the clothes are made from hand-spun khadi and promote the colour of blue by only using the natural indigo dye technique. The designs, however, have a distinct contemporary feel, which can be seen in their boxy-fit coats and gingham dresses.Read more at:http://www.marieaustralia.com | http://www.marieaustralia.com/cocktail-dresses-australia



201839(金)

Sophisticated, yet casual chic for fall ’18

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Queens, N.Y. designer Laquan Smith stepped it up for fall/winter 2018. His collection was outstanding. For men, his fur-trimmed coats were spot on and received applause coming down the NYFW runway. The women’s fashions were sexy, bare-to-there and sleek. He used sheer and shiny fabrics, leathers, textiles, lace and silky prints. Inspired by his grandmother in his early years, he became a skilled tailor and patternmaker.

Smith started building his career at the age of 19, and worked as an apprentice with Blackbook Magazine and other famous stylists. Back then, this African-American designer developed his first line of separates and accessories. His distinctive styles sparked interest among fashion icons, including Rihanna and Lady Gaga. Smith’s work also intrigued Vogue Magazine’s Editor-at-Large Andre Leon Tally, who selected Smith as his mentee. On the runway, other celebrities such as Serena Williams have modeled for this designer. In addition to his robust celebrity clientele, Smith’s signature styles have been spotted on Beyoncé, Jennifer Lopez and Kim Kardashian. Smith also caters to a private-order clientele.

Known for her signature graphic prints and innovative silhouettes, New York designer Nicole Miller offered modern, ageless clothes for fall/winter 2018. Her looks were layered. The top coat is the main component, covering a blouse under a sweater and over pants or a short skirt. Every piece is hanging out, making its own statement in shape and color. It’s all about comfortable dressing and a casual elegance. There were lots of blues combined with berry-hued prints. Her lengths varied.

With a degree in fine arts from the Rhode Island School of Design and a degree from l’Ecole de la Chambre Syndicale de la Haute Couture Parisienne in Paris, Miller combines her art training with couture technique. Her looks were young and colorful.

Also at NYFW, Concept Korea introduced two young womenswear designers, Lie and Greedilous. At Lie’s presentation, there was an emphasis on “everyday wear luxury with a twist.” Innovative design elements and details added to this beautiful contemporary line. To highlight the brand’s vision, signature tailoring was combined with an experimental use of various fabrics. The collection offered well-made clothing that was minimalism at its best, meeting New York style with a Parisian-avant-garde twist.

Greedilous’s overall collection theme conveyed feminine styles for professional women. They titled their styling concept Futuristic Modernity. The designer utilized intricate silhouettes with strong visuals. Concept Korea is a collaborative project to promote Korean fashion designers and assist them in their attempts to break into the U.S. fashion markets.Read more at:http://www.marieaustralia.com/formal-dresses | http://www.marieaustralia.com/bridesmaid-dresses



2018126(金)

IMPERFECT SUCCESS

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Wabi-sabi is an Asian aesthetic of Zen origin that values beauty in the transient (as the ephemeral cherry blossom), in impermanence, in the incomplete, the flawed, the weathered and in uncertainty.

The exacting nature of business operations is hardly conducive to the wabi-sabi sensibility given the search for continuous improvement in systems; careful selection, training and retention of personnel; and ensuring that all activity adds value leading to a competitive edge. In this economic rationalist world view, tolerance for uncertainty and the imperfect is low.

Over the last decade and a half of stunning economic growth, Macau has seen a slow unfolding of an uncomfortable coexistence of community-based values and international business imperatives: between family and community ties on the one hand, and, on the other, the demands on workers to improve skills and knowledge, to be exacting, to take initiative and to lead their organisations to profitability now and into the future.

The trappings of wealth – luxury goods, the ‘good-life’ and status – may have helped bridge the values’ gap between a small community-based aesthetic and that of a successful corporate ladder climber. This is a change that distances family and work lives, from the familiar maze of local streets where home, community and work are intertwined, to the large impersonal edifices only accessed by key cards and security passes. The engineered glitz and glamour is a world away from the cacophony of life that continues beneath the spaghetti of electrical and telecoms cables in Barra or the squawks of livestock in markets dotted around town.

Our Macau embraces imperfection, perhaps less mindfully, but as wabi-sabi embraces imperfection. The concept has been popularised by a crack in a teacup mended in gold. This gold enhances the cup’s beauty by bringing attention to the imperfection; the vessel always held value, too much to simply toss, even beyond what the eye could see in its original and complete form. The damage thus told suggests there is another story to tell.

Leonard Cohen introduced the concept to many in the western world with his lyrical provocations in the album, Anthem: “Ring the bells that still can ring, forget your perfect offering. There is a crack, a crack in everything, That’s how the light gets in.”

It is a tall order to suggest that this aesthetic or a similar embodiment of the less than perfect might bring benefits to our businesses but this is precisely what a global network of academics and management practitioners aim to explore at a conference in Tokyo later this year.

The aesthetic allows, for example, to see beyond eccentricities of individual teachers or specialists who may not conform to all expectations of ‘normal’ behaviour in their roles but who have expertise far beyond their colleagues. Rather than dismissing these people for their oddities, being able to manage their sub- optimal behaviours in order to harness their extra-ordinary talents and brilliance can lift companies to greater things. To insist on organisational conformity and the reduction of difference relegates an organisation to mediocrity.

Along with Macau’s process towards internationalisation, have we too become overly preoccupied in our professional, business and organisational lives with perfection, excellence, completeness and total control? Does this preoccupation violate human values that have been imbedded in our own community and narrow streets? Rather than ask what we as a community may have lost, the question now being asked is what creativity, harmony, wisdom, connectivity, humility, flexibility or other integral value can the corporate intruders upon our reclaimed lands learn from the messy imperfection and rustic beauty of our locale?Read more at:http://www.marieaustralia.com/evening-dresses-online | http://www.marieaustralia.com/cocktail-dresses-australia



2018118(木)

Locks made to be loved

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THERE’S a new place in town offering a head-to-toe makeover for both girls and guys. It’s called “Hive Life by L’Oreal Professionnel” and it’s the brainchild of celebrated hair stylist Grit “Gong” Jirakiertvadhan.Launched last week in the Fashion Groove Zone of CentralWorld in downtown Bangkok, the full-service beauty hub is spread over a massive 400 square metres and divided into four zones, all of them targeting young-generation professionals. Guys can chill at the Gentleman Zone, which offers a cool barber service and haircuts in a private and manly ambience.

Complete hairdressing services from wash and blow dry, to cutting, setting and colour services are found in the Lady Zone, along with consultations on hair designs and overall looks. Aromatic coffee and gourmet dishes are available at the Cafe Zone run by Kuppadeli while the Beauty Bar Zone boasts counters by leading brands supervised by makeup experts to help you achieve the perfect look.“You leave with a head-to-toe makeover,” says Grit, who also hosted a show of the 2018 fashion and hair trends at the opening. Designed by him and the salon’s stylist team with the collaboration of four world-class brands, the fashion extravaganza kicked off with 87 MM Seoul, a label offering clean-cut and flexible apparel on the theme “No Concept But Good Sense”. The brand’s showcase of men’s streetwear was enhanced by the models’ locks, which glinted with highlights achieved by using Grit’s Bleach and Tone technique. Thai brand Tohns combined elements of traditional apparel with modern tones and handicraft techniques on new materials in its capsule collection, focusing on dresses in pastel shades decorated with sequin and lace details. The models boasted heavily textured hair designs achieved through a new style of setting that anyone can remake at home.

Japanese brand, Mihara Yasuhiro brought Tokyo Fashion Week chic to the event with edgy, out-of-the-box designs made just for fun. The street wear collection was accentuated by unruly natural looking hair setting and the “Half Wet Half Matt” finish created from a mixture of wax and gel. The finale was presented by Indonesian brand Tex Saverio, who theatrical couture has caught the eye of several Hollywood superstars including Lady Gaga, Jennifer Lawrence and Kim Kardashian as well as Thai actress, Rasri “Margie” Balenciaga, who trusted the brand with the design of her wedding dress.The label designed an outfit especially for the show to match the hairstyle created by balayage, a highlighting technique where bleach or colour is lightly painted on the surface of your hair rather than saturating an entire section for a soft, natural-looking, sun-kissed look.Read more at:www.marieaustralia.com/green-formal-dresses | www.marieaustralia.com/orange-formal-dresses



2018111(木)

This Knitwear Designer’s Cozy Work Wardrobe Was Made for Winter

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Catherine Carnevale went for a hike and ended up having an epiphany. “I was three-months pregnant and visiting the sacred valley in Peru with my husband,” she explains. “While being in the powerful mountainscape of the Andes, I was struck by a strong feeling that it was time to make a life change.” Upon Carnevale’s return home to Brooklyn, New York (she’s originally from the U.K.), she decided to leave her corporate fashion design job and start her own knitwear brand called Eleven Six. The name is a combination of her birth date and that of her son Oliver’s. “I was inspired by the skills of the artisan women in both Peru and Bolivia,” Carnevale says of the launch. “I decided to create a knitwear line that could be sustainably produced there using baby alpaca.” She adds, “I wanted to empower and support these artisan women with work.”

The designer travels to Peru once each year, visiting the cooperatives responsible for crafting Eleven Six’s ribbed navy jumpsuits, fringed off-the-shoulder dresses, and beautifully simple turtlenecks, capes, and cardigans. Carnevale’s pieces are the perfect blend of stylish and cozy, a combination she’s personally become quite fond of since relocating from Brooklyn to upstate New York. “After having our second baby earlier in the year, we were ready for some nature and space,” she says. “I currently have a home studio, but I commute into the city once a week for meetings and appointments.” As such, Carnevale’s wardrobe has shifted a bit. When she’s working upstate, she favors head-to-toe knits and sneakers. In the city, she likes to layer her sweaters with leather jackets, belts, statement jewelry, or a block heel.

“Whether dressing up or dressing more casually, I tend to be on the more polished side—this is something I believe was instilled in me by my late mother,” says Carnevale. “I think this sensibility translates to Eleven Six as a brand. It’s refined yet relaxed, and strives to offer an effortless but elevated approach to knit dressing.” Whatever she’s wearing up in the woods or back in the concrete jungle, Carnevale’s main concern is spreading the message about sustainable fashion and designing functional, beautiful clothes for boss ladies just like her. “I design for a modern woman in need of a versatile wardrobe for her many life roles,” she says.Read more at:http://www.marieaustralia.com/evening-dresses-online | http://www.marieaustralia.com/formal-dresses-2017-online



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