2019年1月30日（水）
With testing we get to see how the colors
We have found a "new" way to see how well the stabilizers and methods you are using are working with so that your designs look GREAT without any printed lining
off outlines, puckering, cupping or warping. This is a TEST - Only a Test - but if You and your stabilizers pass - You will have great looking designs. And if your methods and stabilizers don't pass - you can just try again - Till you get it right.I think and recommend that we should test stitch all designs every time that we stitch-out any new design for the first time.
With testing we get to see how the colors work out and whether we have used the right stabilizers and methods. After the test stitching - we can easily see if the outlines are off and if all the parts line-up - BUT - we don't know if the fault is in the design itself or in the stabilizing. This is where our New "stabilizing test" is really useful. It can show us if we have used the right stabilizers and methods.
It's real easy - just baste a "picture frame" around the design. And when you are finished stitching - you can easily see if the basting stitch is still straight or if the design stitching has pulled it in - in some places and made the straight basting picture frame no longer straight. If it is not straight - then the conclusion has to be that either you used the wrong stabilizer for this fabric and design or that you didn't use enough or in the right way (method).
And conversely - If the basting frame stitch is still straight and the outlines are off or certain parts don't line up - then the conclusion has to be that the stabilizers and methods used are OK - And the problem is the fault of the design. ( Of course in any test we need to make sure that everything is working properly and that we are using the right needle, have the right tension settings and ect.)Please let me know what you think about the "stabilizing test" above and if you tried it - and what the results were - I think is is a great idea - I wish that I could take the credit for it - but Sandy gets all the credit for this - But I can take credit for writing this and passing a good idea along.
- I hope.Our designer and digitizer, Sandy Carter creates all our machine design patterns and takes the time to ensure that they will sew out easily and still be unique, distinctive and dimensional. Our patterns can be sewn with all home and commercial machines. The pictures of our designs on our web pages can't show all their beauty - that is why we have free machine embroidery designs files to download so you can sew out the designs to see the quality and how well they stitch out on your own clothes or fabrics.
off outlines, puckering, cupping or warping. This is a TEST - Only a Test - but if You and your stabilizers pass - You will have great looking designs. And if your methods and stabilizers don't pass - you can just try again - Till you get it right.I think and recommend that we should test stitch all designs every time that we stitch-out any new design for the first time.With testing we get to see how the colors work out and whether we have used the right stabilizers and methods. After the test stitching - we can easily see if the outlines are off and if all the parts line-up - BUT - we don't know if the fault is in the design itself or in the stabilizing. This is where our New "stabilizing test" is really useful. It can show us if we have used the right stabilizers and methods.
It's real easy - just baste a "picture frame" around the design. And when you are finished stitching - you can easily see if the basting stitch is still straight or if the design stitching has pulled it in - in some places and made the straight basting picture frame no longer straight. If it is not straight - then the conclusion has to be that either you used the wrong stabilizer for this fabric and design or that you didn't use enough or in the right way (method).
And conversely - If the basting frame stitch is still straight and the outlines are off or certain parts don't line up - then the conclusion has to be that the stabilizers and methods used are OK - And the problem is the fault of the design. ( Of course in any test we need to make sure that everything is working properly and that we are using the right needle, have the right tension settings and ect.)Please let me know what you think about the "stabilizing test" above and if you tried it - and what the results were - I think is is a great idea - I wish that I could take the credit for it - but Sandy gets all the credit for this - But I can take credit for writing this and passing a good idea along.
- I hope.Our designer and digitizer, Sandy Carter creates all our machine design patterns and takes the time to ensure that they will sew out easily and still be unique, distinctive and dimensional. Our patterns can be sewn with all home and commercial machines. The pictures of our designs on our web pages can't show all their beauty - that is why we have free machine embroidery designs files to download so you can sew out the designs to see the quality and how well they stitch out on your own clothes or fabrics.
2019年1月25日（金）
The bride usually buys the most luxurious material
The Bedouin culture has a long history of beautiful costumes, textiles and Jewelry. The Bedouin costume has not changed in a thousand years,Products Fabric Manufacturers and the Bedouins today dresse in every particular as they did in the tenth century.In Egypt's Western Desert, there are some oasis's that have a distinctive traditional costume style. The loose, unencumbered dresse of the Bedouin woman is well suited to her nomadic life for it requires little maintenance. Although black is the dominating Bedouin color, women of some of the tribes dresse in blue. The garment is long and ample. The armholes are deep to permit a wide sleeve.
The dresse opens to the waist and is usually unbelted. When a belt is worn it is tied around the hips and serves to support the figure as well as to adjust the length of the garment.Traditionally these dresses are made of cotton, and are heavily embroidered in cotton cross stitch. Patterns are usually geometric, arranged in large solidly embroidered areas around the chest, sleeves and lower skirt areas of the garment. The embroidery is of a bright contrasting color, usually red or yellow. Blue dresses are embroidered in black or red. Choices in fabric reveal social status, as wealthy people buy imported fabrics and silk threads for embroidery.
While choices in decoration may reveal marital status (weather the women is married, unmarried, or widowed), age, religion, or even the number of children in the family.These Bedouin dresses are usually worn with black head veils and shawls, often with multicolored cross stitch embroidery down their centre panel, and with face masks "burqas" usually made of silk with a variety of decorative elements - embroidery, tassels, chains, amber, beads, amulets, and shells are common.There are everyday dresses , and special occasion and wedding dresses.
The bride usually buys the most luxurious material she can afford and if she has a choice she will pick a shiny, highly ornamental fabric such as brocade, cut velvet, or printed silk. The style of the dress is very simple and it has long sleeves. It may be caught in at the waist with a silver, gold, leather or folded fabric belt. The wedding dress is usually black in color, with rich silk embroidery of variegated colors around the neck and the front part of the dress.There has been a major revival in the creation of Bedouin costumes and embroideries since the late 1980s, and it is now possible to buy beautifully made contemporary dresses, trousers and shawls through retail outlets in Cairo.
and the Bedouins today dresse in every particular as they did in the tenth century.In Egypt's Western Desert, there are some oasis's that have a distinctive traditional costume style. The loose, unencumbered dresse of the Bedouin woman is well suited to her nomadic life for it requires little maintenance. Although black is the dominating Bedouin color, women of some of the tribes dresse in blue. The garment is long and ample. The armholes are deep to permit a wide sleeve.The dresse opens to the waist and is usually unbelted. When a belt is worn it is tied around the hips and serves to support the figure as well as to adjust the length of the garment.Traditionally these dresses are made of cotton, and are heavily embroidered in cotton cross stitch. Patterns are usually geometric, arranged in large solidly embroidered areas around the chest, sleeves and lower skirt areas of the garment. The embroidery is of a bright contrasting color, usually red or yellow. Blue dresses are embroidered in black or red. Choices in fabric reveal social status, as wealthy people buy imported fabrics and silk threads for embroidery.
While choices in decoration may reveal marital status (weather the women is married, unmarried, or widowed), age, religion, or even the number of children in the family.These Bedouin dresses are usually worn with black head veils and shawls, often with multicolored cross stitch embroidery down their centre panel, and with face masks "burqas" usually made of silk with a variety of decorative elements - embroidery, tassels, chains, amber, beads, amulets, and shells are common.There are everyday dresses , and special occasion and wedding dresses.
The bride usually buys the most luxurious material she can afford and if she has a choice she will pick a shiny, highly ornamental fabric such as brocade, cut velvet, or printed silk. The style of the dress is very simple and it has long sleeves. It may be caught in at the waist with a silver, gold, leather or folded fabric belt. The wedding dress is usually black in color, with rich silk embroidery of variegated colors around the neck and the front part of the dress.There has been a major revival in the creation of Bedouin costumes and embroideries since the late 1980s, and it is now possible to buy beautifully made contemporary dresses, trousers and shawls through retail outlets in Cairo.
2019年1月17日（木）
You can also use commercial cleaners or dry cleaning
Roman shades are a simple and classic way to adorn windows. They are unobtrusive and can block a glaring sun or nosey neighbors. Bamboo Roman shades are popular for a natural or Asian d?cor, but fabric Roman shades are more traditional.Fabric Roman shades are made from a single panel of fabric. A sting is run the length of the fabric so that when the cord is pulled, it raises the shade in regularly spaced panels. Sheer fabrics can provide easy mood lighting. They filter bright sunlight so that it is warm and soothing.
Roman shades look great in children's rooms. Pick a bright, playful color to liven the room, but can be pulled down easily for naptime. You can also have extra fabric in the panels for a billowy, playful look. Roman shades in the rest of the house, however, usually look best in a neutral color or pattern. The shade should not distract you from the rest of the room. Tailor thin, flat fabric folds for an elegant look, or use fuller "tear-drop" folds for a subtle embellishment.
You can combine fabric Roman shades with another window treatment. Keep the shades in a neutral color, and surround them with more elaborate curtains. Or make Roman shades look more finished by adding a fabric-covered board at the top in the same fabric or a complement.To clean fabric Roman shades, vacuum them often to keep dust and dirt from accumulating in the fabric folds. For a deeper clean, you can try using foam upholstery cleaner. Make sure it can be used on your fabric first, though. Wipe off the foam with a dry cloth.
You can also use commercial cleaners or dry cleaning. If the fabric Roman shade will be heavily used, like in a children's room, you can treat the fabric with anti-static or stain-resistant finishes.Roman Shades Info provides detailed information about bamboo, fabric, discount, and custom Roman shades, as well as advice on how to make Roman shades, and more. Roman Shades Info is the sister site of Shutters Web.
Roman shades look great in children's rooms. Pick a bright, playful color to liven the room, but can be pulled down easily for naptime. You can also have extra fabric in the panels for a billowy, playful look. Roman shades in the rest of the house, however, usually look best in a neutral color or pattern. The shade should not distract you from the rest of the room. Tailor thin, flat fabric folds for an elegant look, or use fuller "tear-drop" folds for a subtle embellishment.
You can combine fabric Roman shades with another window treatment. Keep the shades in a neutral color, and surround them with more elaborate curtains. Or make Roman shades look more finished by adding a fabric-covered board at the top in the same fabric or a complement.To clean fabric Roman shades, vacuum them often to keep dust and dirt from accumulating in the fabric folds. For a deeper clean, you can try using foam upholstery cleaner. Make sure it can be used on your fabric first, though. Wipe off the foam with a dry cloth.
You can also use commercial cleaners or dry cleaning. If the fabric Roman shade will be heavily used, like in a children's room, you can treat the fabric with anti-static or stain-resistant finishes.Roman Shades Info provides detailed information about bamboo, fabric, discount, and custom Roman shades, as well as advice on how to make Roman shades, and more. Roman Shades Info is the sister site of Shutters Web.
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